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121 - Bondage masterclass
The other side of the spectrum, as Tim had called it, was a lot different from how Vanessa, Nes for her friends, was tied against the chair. Karen and Tim were showing how tight bondage can be right next to where Nes was tied to the back of the chair so that she could see it all. Tim had shown the different ropes they had and how they best could be used. Wrists were tied with 8 loops of ¼ inch rope, before it was cinched and knotted. The cinch made it tight, and it was impossible to slip your wrists out. The eight loops made it comfortable by distributing the pressure of the rope over a wider area.
“Note where we put the knot. Out of reach of fingers.” Sally explained.
She was still playing the counterweight for the chair Nes was tied to. Another rope, similar as to the one used for the wrists, was used to tie the elbows together. Same stringent principle, 8 loops, a cinch, and a knot.
“Not everybody can get their elbows together behind their backs, so you need to find out before tying somebody if they can. And even if you can touch your elbows; most people will lose feeling in their hands in a short amount of time. Being able to get tied with your elbows together for a longer period is only for a thing for a few people. Although it will get easier for some people the more you do it.”
“Phun.” Nes grunted in her cleave gag, while Sally kept explaining.
Ropes were wrapped around the torso, at breast height, incorporating the elbow ropes. Several neat laps, with ½ inch rope. The rope was long enough to run it over each shoulder and the back of the neck.
“This allows for anchoring the rope.” Sally continued, explaining what Tim and Karen were doing. “It means that it will be harder to get rid of the ropes by shaking the body.”
The rope running from the elbows to the neck rope was pulled tied and knotted. A waist rope was next, another ½ inch rope was used, wrapping it several times around the waist and arms.
“The cinch is important.” Sally mentioned. “Just like the anchor ropes it stops rope from sliding. And you can use it in many spots. If you tie somebody to a pole, or chair, you can use it to anchor the body better.”
Sally pointed at the ropes holding Vanessa against the chair.
“Same principle, just not as tight.”
The cinch was pulled tight, and the rope got knotted out of reach of probing fingers. The arms were now stuck to the middle of the back. The ropes were tight, one could tell by looking at how the flesh bulged around it, but did not cut, although it could start to hurt if one was tied for longer periods.
“If needed, a crotch rope can be applied at this time. Just something to keep one busy.” Sally said.
“Nize.” Vanessa stated, her voice only slightly distorted by the cleave gag.
She was enjoying the lesson, both the one of her being tied and the one being done by Tim and Karen. It was not hard to see the differences between the two ties. She herself was only tied using the minimum of rope possible, while Karen and Tim were using almost excessive over the top bondage. Vanessa sort of wondered what it felt like to be tied that tight, but she knew that if she wanted to find out, all she had to do was ask. Or probably just wait. If these people really played as much as Sally had explained, it was just a matter of time before she would be in a similar position. Somehow that thought calmed her anxiety down.
“Now for the legs. Do you see how neat we place the ropes, each one right next to the other one? This way there will be no pressure points that might start to hurt. When you tie somebody who is resisting, it will most likely not be as neat. And I can tell from experience that pressure points are no fun. They can make a fun bondage into a real hell.” Sally told Vanessa.
Karen and Tim pulled up another chair and showed how the legs were tied. Vanessa recognized the principle used on the ankles as the same as was used for the wrists. Several wraps of soft rope, a cinch, and a knot that was neatly placed, this time, on the front of the bindings.
“By placing the knot on the front of the ankle rope, you make it harder to reach for the person being tied. The more flexible you are, the easier it will be to reach it.”
Vanessa imagined having her arms tied like what Karen and Tim were showing and how she could reach the rope. She had indeed to be flexible. As she thought herself to be flexible, she figured herself trying to escape.
“Are you good?” Sally asked the still helpless woman who was watching Tim and Karen.
“Yez.” Nes answered.
“The next ropes are different. Depending on what you envision as the final position, you can tighten them, or you might have to keep them a little loose compared to the other ropes. With a hogtie, bending the knees will be harder when the ropes are tight.”
Vanessa nodded. She knew what a hogtie was and she could imagine the ropes pulling tighter when the legs were bend. She watched how the ropes above and below the knees were tied with some slack, indicating that the end result was probably going to be a hogtie on the kitchen floor.
“You can, if you want, tie a rope higher up the legs, but with the knees tied, it does not really serve much purpose other than aesthetics.” Tim said. “It does make escaping a little harder, as you have one more rope to untie.”
“But it does not stop you from running away.” Karen grinned. “Now for the hogtie.”
Karen and Tim moved to the kitchen floor.
“How tight you can make a hogtie depends on how flexible the person you are tying up is. Some people can’t stand a mild hogtie, while others can be bend like a pretzel. Maybe some day we’ll find out which group you belong to.” Tim grinned while looking up at Vanessa, winking at her.
“Mayve.” She replied.
“The easiest way for a hogtie is just a rope between wrists and ankles. The disadvantage is that all the pressure is carried by the wrists, which can start to hurt. Most professionals connect the rope to the shoulder harness. That takes the pressure away from the hands and distributes it over the ropes around the upper body.” Karen added.
A rope was tied to the rope between the elbows and the neck rope. A little loop was left on one end.
“The loop makes it easier to pull the person into the hogtie.” Sally stated. “The rope is run from the elbows to the ankles and back to the loop. Pulling on it pulls the ropes tight and forces the person bound being hogtied.”
The rope was pulled tight and Vanessa could see how the ropes were looped several times between ankles and shoulders, pulling the wrists close to the ankles, before the rope was tied off.
“You could add more ropes to anchor the wrists to the ropes of the hogtie, but since we already incorporated the wrists in the waist rope, it is not really needed.” Karen said from in front of Vanessa. “Now, if the person has long hair like me, you could incorporate that by pulling the head back. It looks easy when you look at a model tied that way, but it can be really uncomfortable for some people. Just hold your head back and imagine that you will be like that for a while.”
Vanessa tried what Karen suggested and found indeed that pulling her head back did not feel very nice.
“Let’s finish this with a gag and blindfold.” Sally grinned, seeing Vanessa.
“A warning about gags.” Karen stated.
“Here it comes.” Tim grinned, as he knew what his mother was going to say.
Occasionally they broke the rule, but luckily nothing had gone wrong yet. But as Karen mentioned, it was not a matter of if things could go wrong, but when they would.
“Gags can be dangerous. People tolerate gags to a different degree. I knew a model that could endure having her mouth stuffed completely, while another model would gag on a cleave gag. Make sure you know that the person you are gagging can handle the gag. We have a good idea what we can handle, but you might not be able to handle the same. So, when you play, play safe!” Karen lectured.
The kids knew she was serious about it. And she reminded people regularly, especially the younger ones.
“Hmmpppfffff.”
“You can hear that even though somebody is gagged, you can still make noises. It is very hard to make somebody silent. You would need several layers of gag. A gag is just to make coherent speech impossible.” Sally said. “The blindfold just makes it more fun, as you cannot see what is going on around you. Ear plugs, or nowadays ear buds with active noise cancellation, can take your hearing away, which makes it even more fun.”
“Fun, yeah rite.” Vanessa mumbled.
“And that concludes the lesson.” Karen said, as she stood up from the floor where a tightly tied and gagged Tim was helplessly waiting for release.